Chaama Chaluve is based on the folklore about Goddess Chamundeshwari, the local Goddess of Mysore. Chamundeshwari who slayed the demon Mahishasura was adored by Nanjunda who was loved by his two women – Deviri and Parvathi is the streamline of this play. The special narration in the play is when Parvathi and Deviri in a rush to control their husband Nanjunda, fights with Chamundi like a common man even though they are seen as Gods. The story which depicts the existence of Gods as mere humans is an astonishing ability of this folklore. Though the poetry seems to be in favour of polygamy, it gives a special inner sense about dissimilarities in human relations. Thereby it clearly denies the evil practices of Racial, Lingual and Communal differences. Even though the characters Nanjunda in the play have heavenly abilities they respond to emotions like humans. Urimari and Ranganatha are projected as social reformers. The mystery of tradition is tied up with an intellectual variety in the folk hierarchy. The resolutions, the faith and the discipline have grown together with time. Even though male dominance has been the face of the society, the debate for the equal rights of women was duly accepted and has been shown in this folklore. The re-telling of this folklore comes forth as an experiment to use a natural setup as the stage to enact folk art forms retaining their aboriginal rawness.