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Though the poetry seems to be in favor of polygamy, it gives a special inner sense about dissimilarities in human relations. Thereby it clearly denies the evil practices of racial, lingual and communal differences. Even though the characters Nanjunda in the play have heavenly abilities they respond to emotions like humans. Urimari and Ranganatha are projected as social reformers.
This comes forth as an experiment to use the natural setup as the stage to enact folk art forms retaining their aboriginal rawness.