Beediyolagondu Maneya Madi  in Ranga Shankara
28 Feb - 3 Mar
2017

Beediyolagondu Maneya Madi

Comedy Drama Satire Kannada 1 hr 30 mins

Ranga Shankara,
36/2 8th Cross II Phase, JP Nagar, Bengaluru, Karnataka 560078, India

  • Tue 28 Feb, 07:30 PM

    Entry PassRs. 150
  • Wed 01 Mar, 07:30 PM

    Entry PassRs. 150
  • Thu 02 Mar, 07:30 PM

    Entry PassRs. 150
  • Fri 03 Mar, 07:30 PM

    Entry PassRs. 150
Important Notes:
  1. Late comers will not be allowed inside the auditorium under any circumstance
  2. No refund on the tickets for Late comers
DIRECTOR Mohit Takalkar
WRITER S. Surendranath, Cham pra Deshpande, Sripati Manjanabail
ARTISTS Bhamini Nagaraju, Naveen Kumar J, Sathwik N. N., Shrunga B.V., Geeta Surathkal, Venkatesh Prasad, Archana Shyam
'Beediyolagondu Maneya Maadi' in a satirical and a humorous vein comments on the degenerating nature of religious festivals and disproves traditional dogma in a realistic setting. The occasion is the much celebrated Ganesh Chathurti right in the thick of Pune's middle-class, Maharashtrain-Brahmin dominated locality where the protagonist, Shreepad and his wife Sukanya have come to an agreement that every alternate year the razzmatazz of the Ganesh Chathurti will not disturb the sanctity of their home which in simple terms mean, no celebrating the festival and not even allowing its slightest sound or whiff to penetrate their house.
Despite Sukanya's minor complaints all seems to go well until Shreepa's old aunt, her son and daughter-in-law unexpectedly turn up with their infant son with the solitary intent of watching the procession. The aunts voracious desire to witness the procession and Shreepad's staunch refusal to allow her to do so sets the tone of this humorous and remarkably pertinent play. As aunt and nephew take turns to explain each others situation with the aunt often scheming with the others to sneakily see the procession, the plot thickens.
Shreepad's logical, reflective and philosophical rationalizations are balanced by the more immediate necessity of the situation that is both habit and religion driven. The processions approaching tenacity becomes a barometer for the muted tension that the characters begin to reel under and resonate the fallacious arguments of the brigade. The play also successfully evokes the mores of a middle-class, Kannada household as everybody await the final outcome of the battle of ideologies.

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      Disclaimer

      1. Contributions once made cannot be refunded or cancelled.

      2. Big Tree Entertainment Pvt Ltd (BEPL) is facilitating the transactions on the platform www.in.bookmyshow.com. The proceeds of the same will be used for the benefit of certain sections of public / charitable purposes (“Purpose”).

      3. BEPL may at its discretion either (i) donate the proceeds collected to entities, persons, organisations, trusts engaged in activities directly related in the furtherance of the Purpose (ii) by directly undertaking/engaging in activities which are related to the Purpose .

      4. Persons, entities, organisations, Trusts to whom BEPL makes such voluntary contributions have represented to BEPL that the end use of such contributions will only be towards the Purpose.

      5. BEPL expressly disclaims any and all liability and assumes no responsibility whatsoever for consequences resulting from any actions or inactions of any other person, entity, and organisation or trust that it may engage with.

      6. By proceeding to donate the money, you do so at your own risk and expressly waive any and all claims, rights of action and/or remedies (under law or otherwise) that you may have against BEPL arising out of or in connection with the aforesaid transaction.

      7. BEPL will not be held responsible for the issuance of 80G certificate.

      8. For any queries, kindly write at [email protected].

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