
Shoot the Cameraman brilliantly employs contemporary dance and live camera (with the two camerapersons choreographed into the piece) to comment on the relationships between media, power and perceptions. The audience is offered a permanent double reading of the piece and has the opportunity to simultaneously attend a live performance on stage and on screen. Seeing is interactive, personal and supposedly unfalsifiable. But how much of what we see and perceive is directed by a cameraman’s framing? And how does that shape our imaginations and perceptions of reality?
Led by Baptiste Hilbert and Catarina Barbosa from Luxembourg-based dance company As We Are.