Paving his way to success, Hollywood music Composer Peter Nashel has helmed the scores to film and television across many genres. He started his career with the TV series The Head (1994-1995), after which he worked on series like Dirty Sexy Money (2007-2009), Life on Mars (2008-2009), Rubicon (2010), Lie to Me (2010-2011), NYC 22 (2012), Lucky 7 (2013), Witches of East End (2013), Younger (2015), Marco Polo (2014-2016) and Incorporated (2016-2017). Nashel has also worked on many documentaries, including The Trials of Henry Kissinger (2002), Report from Ground Zero (2002), Overnight (2003), The Well-Seasoned Traveler (2003), Deadline (2004), No End in Sight (2007), Freakonomics (2010), Client 9: The Rise and Fall of Eliot Spitzer (2010), America in Primetime (2011), Park Avenue: Money, Power and the American Dream (2012), Independent Lens (2012), Iconoclasts (2012), They Shall Not Perish: The Story of Near East Relief (2016) and Risky Drinking (2016).

He has given music for films such as The Deep End (2001), American Masters (2004), Bee Season (2005), The Night Listener (2006), Wedding Daze (2006), New York, I Love You (2008), Uncertainity (2008), Carriers (2009), The Trails of Cate McCall (2013), Dukhtar (2014), and Babylon Fields (2014). His other projects include I, Tonya (2017), Nigerian Prince (2018) and Book Club (2018).