
Four people. Dead. Not quite done.
Four people have died and arrived in the realm of In Between, where they must open a mysterious box to get to the other side. But first, they must shed the human grammar and stories that have shaped them. They are surrounded by quirky characters who test their patience and motivations at different stages of their journey.
Meanwhile, the four actors playing them are fighting their own battle offstage. The prize? A ticket to Paris. The catch? They actually have to pull this off.
Aapke Apne Aapke Baad grapples with contemporary times and the modern mind with humour and sensitivity, honouring the ludicrous status quo we have arrived at as a state-of-the-art species.
AVANISH PANDEY Rooted in theatre from 2015–2020 through Cineaste, Little Thespian, Replica Theatre, Three Arts Club, and Actor Factor Theatre Company, he spent 2020–2022 in deliberate drift — street poetry, animal rescue, elderly care, and dishwashing — while co-founding the Buga Buga Collective at Bioscope Film Club Studio in Bhagsu, Himachal, weaving dance, direction, and facilitation into his practice. In 2023, he trained at Moving Parts International Dance and Theatre Programme in Goa, returning as trainee faculty in 2024. He moved back to Chhattisgarh, collaborating with Conflictorium across performance, curation, workshops, and residency. Currently, he`s in Delhi indulging in making productions under Buga Buga.
ANNIKA JAEGER
Trained first in physics, she found her deeper calling in the body — through dance, improvisation, and movement therapy. She brings an analytically curious, artistically sensitive, person-centred approach to her work.
She did Dance Movement Therapy Diploma Training in Aotearoa (New Zealand).
Based in India, she co-organises the Contact Improvisation community in Delhi (since April 2025), works with Movement Mantra — a Parkinson`s movement group — and co-creates workshops like Jijivisha ("the will to live") in Raipur with the Buga Buga Collective. She also offers Join the Dance!, a contemporary and improvisation-based class centering creativity, inclusivity, and wellbeing, along with online sessions for German-speaking clients.
Her practice is informed by work in psychiatric care, inclusive dance (including with people with Down syndrome), and physical theatre across Germany and India. She is a student member of the Indian Association for Dance Movement Therapy (IADMT).
RAHUL K SUDEV
Rahul is a theatre practitioner based in Delhi. He has been writing, directing, and acting in theatre for over a decade. His work explores diverse social and human themes through contemporary theatrical practices.
He has written the play Mini Matchbox, which explores the idea of physical and mental space. His other works include Saara Aakash, Deemak, and ...Aur Ye Goal.
DIVYANI RAI
Divyani Rai is a theatre artist, poet, and explorer of consciousness whose practice bridges performance, movement, spirituality, and collaborative creation. Holding a Master`s degree in Political Science from Jawaharlal Nehru University, she approaches theatre as both artistic expression and human inquiry. A co-founder of Meraki, the English Theatre Society at Maharaja Agrasen College, University of Delhi, she has trained in devised physical theatre and performed in `Marod` and `Unbox`. Her work explores where the personal, political, and spiritual converge.
KRISHNA SINGH
Krishna comes from somewhere far north of Varanasi, where creation is largely reserved for mothers. His first conscious encounter with literature came in 2014, at 17 — and since then, he has been stealing time to swim the sea of words.
From engineering at SMVDU to IT dreams in Bengaluru, Covid washed him ashore at Bioscope Film Club in the Himalayas. There, the theatre found him. He was part of the process that birthed Buga Buga — and unlike most fathers, stayed through its childhood. The experience hit deep enough that when Buga Buga grew up, he quit his job and chased literature.
A year later, he was back at the desk — then gone again, backpacking Southeast Asia as a digital nomad. Three months stranded in Hội An, Vietnam, produced the first draft of his yet-to-be-published novel: The Dick of a Man.
Now in 2026, Krishna is setting up base in Delhi working with Buga Buga.
ROHAN JAIN
Rohan began with forced performances at family gatherings and fancy dress competitions — then COVID gave him enough time to take it seriously. What followed was four years with Abhinay: The Dramatics Club, NIT Raipur and Jugnoo Theatre, throwing himself into street plays, stage plays, music, dance, and scriptwriting.
Raipur`s creative circles pulled him further — into filmmaking, painting, hip-hop. Then he met Anni and Avanish at Conflictorium, fell for the absurdity of their work, and joined the Buga Buga Collective — where contemporary theatre and physical movement cracked something open in him.
Engineering degree in hand, with nothing to contribute to engineering, he flew to Delhi — to find his place, grind and chill with his fellow Buga Bugas.
ABHISHEK PATEL
Based in Raipur, he is, by his own admission, a jack of all trades and master of none.
Since December 2019, performance has been his way in — a tool for self-knowledge and expression. He has trained at Moving Parts, Goa, and collaborated with Project Getout, Conflictorium, and the Buga Buga Collective.