
Kagazi Hai Pairhan is a collage-like, storytelling-style theatrical presentation inspired by the diverse female characters from the interviews, autobiographies, and short stories of renowned Urdu writer Ismat Chughtai.
Ismat's works highlight the role of women in society, the importance of education, and challenge the orthodox values and traditions of Indian society. The play explores the construction of Ismat's own identity and how she navigated the societal norms of her time. It showcases the struggles of a girl from a conservative Muslim family in the 1930s who wanted to pursue education. Social harmony and women's empowerment are significant themes of this presentation.
In Manto's words:
"A lot has been said about Ismat, and a lot will continue to be said. Some will like her, and some won't. What's more important than people's likes and dislikes is Ismat's creative power. Whether she's good, bad, or naked, her art should be preserved. Literature has no geography; it should be kept free from the constraints of maps and sketches as much as possible."
Director's Note for Kagazi Hai Pairhan:
This theatrical presentation is a testament to the struggles and truths of women, connecting the dots between present-day struggles and what is most essential for human existence and humanity. With a strong grip on reality, this production is a scathing critique of the system that perpetuates communalism and oppression against humanity.